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The Best Horror of the Year Volume Four

Free download The Best Horror of the Year Volume Four

The first three volumes of The Best Horror of the Year have been widely praised for their uality variety and comprehensivenessWith tales from Laird Barron Stephen King John Langan Peter Straub and many others and featuring Datlow’s comprehensive overview of the year in horror now than ever The Best Horror of the. Consistently excellent works of the strange and the

Read ä eBook, ePUB or Kindle PDF È Ellen Datlow

C Wise Omphalos Livia Llewellyn Dermot Simon Bestwick Black Feathers Alison J Littlewood Final Verse Chet Williamson In the Absence of Murdock Terry Lamsley You Become the Neighborhood Glen Hirshberg In Paris In the Mouth of Kronos John Langan Little Pig Anna Taborska The Ballad of Ballard and Sandrine Peter Strau. I won't be reading all of these stories Frankly I d

Ellen Datlow È 8 Free download

Year provides the petrifying horror fiction readers have come to expect and enjoy The Little Green God of Agony Stephen King Stay Leah Bobet The Moraine Simon Bestwick Blackwood's Baby Laird Barron Looker David Nickle The Show Priya Sharma Mulberry Boys Margo Lanagan Roots and All Brian Hodge Final Girl Theory A. Ellen Datlow accused me of being overly snarky the The Good Housekeeping Cookbook of Agony Stephen King Stay Leah Bobet The Moraine Simon Bestwick Blackwood's Baby Laird Barron Looker David Nickle The Show Priya Sharma Mulberry Boys Margo Lanagan Roots and All Brian Hodge Final Girl Theory A. Ellen Datlow accused me Un baiser sucré pour le coeur d'un garçon of being Vogue Goes Pop: Coloring Book overly snarky the


10 thoughts on “The Best Horror of the Year Volume Four

  1. says:

    Overall rating 4 stars I really liked itI greatly enjoyed this collection of stories so much so that I've given each one its own star rating There's a good variety of topics and authors here and I found many of them truly chilling I always enjoy Datlow's story collections and this was no exceptionIndividual story ratingsThe Little Green God of Agony by Stephen King 3 stars Good but a pretty standard King storyStay by Leah Bobet 3 stars I loved the use of Alaskan mythology hereThe Moraine by Simon Bestwick 3 stars A very uniue monster Though I wondered who the narrator was speaking to?Blackwood's Baby by Laird Barron 5 stars I love occult horror like this Definitely reading BarronLooker by David Nickle 4 stars Really weird and uniueThe Show by Priya Sharma 5 stars What an endingMulberry Boys by Margo Lanagan 4 stars of pure horror Lanagan is always so brutalRoots and All by Brian Hodge 4 stars This story of supernatural creatures and meth dealers took an unexpected turnFinal Girl Theory by A C Wise 5 stars despite flaws I adore horror tales about movies I'm just such a sucker for this genreOmphalos by Livia Llewellyn 5 stars This was in another collection I read Loved it there loved it here So so sad but I'm seeking out by this authorDermot by Simon Bestwick 4 stars DisturbingBlack Feathers by Alison J Littlewood 2 stars It was okay but I thought the fairy tale was integrated awkwardly and character exposition was limited and forcedFinal Verse by Chet Williamson 5 stars LOVED IT Turns out I love stories about songs as much as I love stories about moviesbooks Super chilling great endingIn the Absence of Murdock by Terry Lamsley 3 stars Good sinister mood but too brief IMOYou Become the Neighborhood by Glen Hirshberg 5 stars mostly for this reader The woman who narrated this audio story is likely the best reader I've ever heard She really got the story and made it so sad and poignantIn Paris In the Mouth of Kronos by John Langan 4 stars Great monster storyLittle Pig by Anna Taborska 3 stars I've read this one before as well It's short and truly horrific but since I knew the ending the impact was lessened for meThe Ballad of Ballard and Sandrine by Peter Straub 3 stars I guess? I was really put off by the sexual and racial politics in this story until I realized it was intentional Ballard and Sandrine are awful people and deserve the cycles of lovepain they inflict on each other This interview here might help with the story if you read it and are left scratching your head


  2. says:

    Consistently excellent works of the strange and the horrific


  3. says:

    So this Anthology of Horror proved to be much better than the mix of fantasy and horror produced by the same Datlow in collaboration with other names Usually i`m sure that an Anthology by Datlow will be a miss but this time i found some good surprises hidden here And no i`m not talking about King i don`t know why but his story wasn`t something worth finishingSimon Bestwick has two stories here The first one The Moraine was intense chilling and fast proving that a good ideea it`s all you need to suck the breath out of the reader The second one i didn`t enjoyed as much as the firstBlackwood Baby by Lard Barron i knew it from some other place and it`s written in his usual style long dense but so scary in the end David Nickle was a nice surprise His story Looker proves that a girl could have in store a lot than meets the eyes Brian Hodges good story Roots and all with a great atmosphere and despite a non so inspired ending it` was pretty intense and a halfAC Wise Final Girl Theory readable about a fan of a horror flick movie and what he`ll do when he`ll find out the truth behind the scenes of his favourite movie Livia Llewellyn Omphalos Maybe a reinterpretation of a myth or something with all the incest stuff but in truth i wasn`t a bit scared or impressed Definitely not in my range of interests i think that i`ve tried her collection and i didn`t liked it one bitFinal Verse Chet Williamson Another good one with a fair share of scares until the end John Langan In Paris In the Mouth of Kronos Good ending and another story that has his style all overAnna Taborska Little pig Why why the baby??? and a halfPeter Straub has also a story here but i wasn`t really interested in it With some other two stories from the fantasy Anthology volume i conclude that im not such a big fan of his work There were some other writers too present here but not in my zone of interestOverall not a bad one after all


  4. says:

    Ellen Datlow accused me of being overly snarky the last time I reviewed one of these things so this year I'm starting off by saying something nice It's good to see that Datlow's back Small presses have a reputation for unsteadiness and last year there were ominous Internet rumblings and grumblings about Night Shade Books But Night Shade is still publishing the books are still rolling out and Datlow is still performing her invaluable service to horror fans Though my notion of best may run contrary to hers at times Datlow captures a snapshot every year of where the genre is at and where it might be headed making her annuals reuired reading for those in their fright minds Datlow went big name hunting in 2011 and bagged two titans for her bookends Volume 4 kicks off with horror's most popular author and ends with arguably its best As bad as he can be Stephen King is a difficult author to consign to the Dean Koontz Memorial Slagheap of Authors I Used to Give a Crap About Despite his flirtations with lazy going through the motions hackery King has left himself open to an inspiration that strikes less often these days but when it does he becomes fully engaged and tackles that idea like the pre jillionaire hungry young author who became such a phenomenon That's why I keep buying Stephen King books That young man is still lurking somewhere in the shadows of the brand name and he's the one I come to see The inspiration for The Little Green God of Agony King's first Best Horror entry may have come from his personal experiences with a broken body and knitting bones The sixth richest man in the world is looking for a shortcut through the pain of physical rehab to recovery from a plane crash that left him shattered He summons the Rev Rideout think Tom Noonan to his bedside Rideout is no mere faith healer He doesn't heal I expel He casts out the demon god that feeds on hurt And on a dark and stormy night natch the Rev Rideout sets about a rather uniue exorcism The Little Green God of Agony isn't likely to ever make the Classic Top 10 Stephen King Short Stories but it's a refreshingly concise lightly comic flexing of muscles King doesn't always use any At the opposite end of the book and in contrast to King's sturdy simplicity is Peter Straub's intricate puzzler The Ballad of Ballard and Sandrine A pair of decadent lovers cruise languidly along the on a yacht of impossible dimensions moving forward and back through different decades tended to by an invisible crew of pygmies who speak in birdsong Since Straub started hanging around those New Weird delinuents his short fiction has taken a turn for the peculiar the dream like The Ballad of Ballard and Sandrine is as likely to inspire consternation as admiration Honestly I'm not sure what to make of it myself But few authors can offer readers a sensory experience eual to the luxury of sinking into Straub's plush prose So I'm happy to go along if he wants to indulge his inner Aickman or maybe as the title might indicate he's channeling JG Ballard I was three or four pages short of the ending of The Ballad when I had to report to work but Straub had me so ensnared in the tangles of his nefariously strange story that I kept sneaking a paragraph here and there throughout my shift until I finished It's no surprise that one of the best stories in the book is by Laird Barron The testosterone runs thick in Blackwood's Baby a Hemingwayesue horror that gathers a group of hunters including a redneck Texan named Briggs in a lodge in Washington state The men predators all and dangerous to than game animals have come to hunt a mythical stag the king of the wood As horror readers know from experience the dark legends are true the woods are cursed and there's something out there on cloven foot that's a lot threatening than a deer It's a story of classic campfire chills and another success for Barron in an extensive winning streak that many authors would sacrifice their right typing finger to have Brian Hodge's Roots and All begins in an autumn glow of nostalgia accumulating note perfect details of a bittersweet return to a childhood homestead The softly melancholic tone works with the expertly evoked bucolic setting to leave the reader that much vulnerable when the story starts taking nasty twists A combat veteran witnesses the effects of meth and strip mining on the community he once loved and learns the fate of his sister who vanished eight years before I think Hodge and Laird Barron must have gone camping in the same woods together One of the secondary purposes of Datlow's annuals is to spotlight a lot of new names some of whom could have used a little time on the vine and others who bear further investigation Simon Bestwick had a pretty good story called The Narrows in a previous volume and he scores two slots this year The Moraine has a feuding couple lost on a mountain in a whiteout fog with a monster It couldn't get much basic than that but Bestwick tells his well worn tale with an enthusiasm that's infectious energetically mixing bits from Tremors The Ruins and The Mist Originality is great but sometimes you just want an old fashioned suspenseful gory monster stomp Bestwick's second serving Dermot is about an odd unsettling little man named Dermot oddly enough and a special police unit whose members dread his calling I'll be picking up of Bestwick's fiction Also soon to join my to read pile is David Nickle on the basis of Looker his tale of multi eyed voyeurism In AC Wise's Final Girl Theory 'Kaleidoscope' isn't a movie it's an infection whispered from mouth to mouth in the dark This is the third Best Horror volume in a row to feature a story about an evil cult film The mini trend started with Gemma Files' each thing i show you is a piece of my death and it probably shouldn't continue until someone writes a story that tops or at least euals that Final Girl Theory isn't bad but it feels like a slight variation on an overly familiar rerun The angry expression has vanished But there are tears Those tears make their first appearance on the second page the fifth paragraph of You Become the Neighborhood by Glen Hirshberg horror's very own Eeyore This triggers the urge to weep on Page 3 Followed by a teeth rattling moaning fit on Pages 6 and 7 A full fledged crying jag erupts on Page 9 Then you started crying And you cried some And I started crying Glen Hirshberg is fully in his element supernatural soap opera in which there's rarely much scaring but always plenty of sobbing Hirshberg is capable of some fine writing Her long fingered hands have curled up at her sides like smacked daddy longlegs Her husband was pretty much just a pool to pour morphine in but it gets difficult to pick out the good bits because he insists on slathering Natalie Portman level histrionics all over everything like great undigestible gobs of lugubrious peanut butter And the thing is Hirshberg's stories just aren't that sad He tells us they're sad by going blub blub blub every other paragraph But that's not sad That's just maudlin and tiresome My tears surprise me I'm not even sure what they're for It's as if Hirshberg's own character is speaking to him from the page telling him to go blow his nose and man up John Langan has made it into almost every volume of Best Horror Last year he got in twice His stories have been interesting and ambitious but somewhat flawed in one way or another He pretty much nails it in In Paris in the Mouth of Kronos Two disgraced former soldiers have a reunion with a truly spooky spook they first encountered doing wetwork in a bloodstained underground prison in Afghanistan Now in the City of Light there's a certain hotel corridor that remains stubbornly in the darkness I've enjoyed watching Langan develop and improve as a writer over the past three years I'll have to start actively seeking out his name in anthologies Of the four volumes of Best Horror this is the best yet 2011 was apparently a good year for the genre and Volume 4 offers fiction that's scary transgressive and pulsing with an energy that was missing from some of the earlier annuals Some stories are boldly experimental; others are traditional without being stale Even the odd clunker here and there isn't unreadably bad But now that the praise is over with I've got to end on a slightly nastier note Night Shade Books may have smoothed out the bumps on its production side but it needs to address some serious deficiencies in its editing NSB either needs to invest in copy editors or reduce the number of titles it publishes to lessen the burden on the editors it already has I understand that no editor is perfect There's a good chance there's a mistake lurking somewhere in this review that I won't notice til after it's published But sections of this book are positively swarming with errors many of which are softball pitches to the alert proofreader dropped words misused words sentence fragments clumsy phrasing The categories are broken down into thirteen categories free floating clauses Too stunned to scream Pippa did it for him Sickened by this small crushed life her headache was suddenly much worse and various other impediments to readability A character named Harris becomes Harrison a few paragraphs later Another character vacillates from sentence to sentence between Jaime and Jamie The mistakes continue right up through the ads at the back of the book for other Night Shade titles Why is this sloppiness endemic to the horror genre? Are horror readers and writers so much less literate than those in other genres or the mainstream? I'm sure some critics think so; why give them the typos to reinforce their prejudices? And why insult the readers who demand better? Typo free text isn't likely to automatically win the horror genre critical respect but it would be a sign of self respect and that's where it all has to start


  5. says:

    This was THE perfect book to read in the month of spooky October I'm glad I spotted this at the library I have reuested the others that have come before this one as I enjoyed this so much As of course with a book full of different stories some were better than others but for the most part they each ranked about the same for me Looking forward to the others just like this one


  6. says:

    You can feel free to disagree but while I've been kind of disappointed with this series as a whole I did see marked improvement between Volume Three and Volume Four of this series I have a longer discussion of this book here on the horrorsci fifantasyetc page of my online reading journal; if you'd like the short form keep reading Overall there were a few stories in this installment that I felt were beyond good There are 18 total; out of those I've starred five that I thought were very well done 1 The Little Green God of Agony by Stephen King2 Stay by Leah Bobet3 The Moraine by Simon Bestwick4 Blackwood’s Baby by Laird Barron5 Looker by David Nickle6 The Show by Priya Sharma7 Mulberry Boys by Margo Lanagan8 Roots and All by Brian Hodge9 Final Girl Theory by A C Wise10 Omphalos by Livia Llewellyn11 Dermot by Simon Bestwick12 Black Feathers by Alison Littlewood13 Final Verse by Chet Williamson14 In the Absence of Murdock by Terry Lamsley15 You Become the Neighborhood by Glen Hirshberg16 In Paris In the Mouth of Kronos by John Langan17 Little Pig by Anna Taborska18 The Ballad of Ballard and Sandrine by Peter StraubFive stories worth recommending for this series of horror anthologies that's a good numberNot in any particular order beginning with Simon Bestwick's The Moraine a married couple whose relationship is well shall we say on the rocks takes a trip to the crags of England's Lake District While not my favorite entry of the book it's well written with good pacing but my first thought after finishing it was that it reminded me in spots of Scott Smith's The Ruins #2 is In Laird Barron's Blackwood’s Baby in which a hunting party is organized at the Black Ram Lodge to go after a legendary stag The Black Ram Lodge may sound familiar to readers of the author's story Catch Hell which I read in Occultation Like that story Blackwood's Baby is on the occult side than most of Barron's works but it's still uite good #3 A fake medium on a tv reality show finds out the hard way that she has a true gift when it comes to the psychic arts in The Show by Priya Sharma This one isotally on the money when it comes to a good scare Final Verse by Chet Williamson is #4where a once popular bluegrass singer whose career is fading decides to go on the hunt for the missing last verse to a traditional Appalachian folksong A bit of detective work leads him and a friend to an old house in the woods where they find much than they bargained for The last pick in my top five is Little Pig by Anna Taborska horrifying in the truest sense of the word I was also entranced at first with Peter Straub's The Ballad of Ballard and Sandrine with its uirky kind of deja vu experiences aboard a strange yacht on the but the story seemed to peter out and fall apart at the end It had me going for a while though so I'm mentioning it here With a few months to go before the release of Volume Five I hope the improvement in this series continues


  7. says:

    Favorite stories NUMBER ONE You Become the Neighborhood by Glen Hirshberg which is just great and then Dermot by Simon Bestwick In Paris in the Mouth of Kronos by John Langan Mulberry Boys by Margo Lanagan and Final Verse by Chet Williamson


  8. says:

    I won't be reading all of these stories Frankly I don't know why I keep picking these Best Horror of the Year anthologies up whenever I come across them at the library It's almost as if every semblance of fun has been scientifically purged from the pages in some stoic pursuit of literary acceptance and broad acknowledgment of the merit of horrorC'mon Why read horror if not to have fun? If you want to be bored to sleep read William FaulknerAnyway this being horror a couple of good stories usually manage to sneak in the back door of these stuffy buttoned down collections and those are the ones I'm looking for The Stephen King and Brian Hodge stories were already released in A Book of Horrors why include them in this collection then? see my reviews for them there The Brian Hodge story is definitely worth readingFortunately I started off with a mighty fine taleborrowing this perfect synopsis from my Goodreads friend Nancy Oakes' review I'll probably only read the ones she recommended Final Verse by Chet Williamson where a once popular bluegrass singer whose career is fading decides to go on the hunt for the missing last verse to a traditional Appalachian folksong A bit of detective work leads him and a friend to an old house in the woods where they find much than they bargained forVery nicely written ol' Chet either loves his bluegrass or does good research 'cause everything rang nice and true throughout I really liked this story hang in there it's worth it He should be right proud of this 'unI'll update this review with as I get to them


  9. says:

    This is Ellen Datlow's fourth time editing Best Horror of the Year for Night Shade Books This edition is the best so far combining potent ambitious longer works by genre stars with a varied sampler of up and coming names Eighteen stories including several novellas follow Datlow's lengthy introduction a wide ranging summary of the genre year touching on noteworthy novels anthologies collections periodicals awards and events If the tasting menu of the year's finest short fiction weren't enough to make the volume an essential overview of all things noteworthy in the horror genre this overview tips the balance This makes an excellent introduction to talented new writers as well as others established who may yet be unfamiliar to a given reader For example I knew David Nickel and Brian Hodge by name but hadn't read their works which turned out to constitute pleasant revelations In Nickle's Looker a drunk man at a party finds a woman whose ualities go beyond the merely eye pleasing In Roots and All Hodge's character revisits a town where important childhood events occurred some of which still echo in the present  Both stories exemplify Datlow's preference for character driven horror haunting mood and troubling memory than blood and shrieking monsters There are several standoutsBlackwood's Baby like many Laird Barron stories takes place in rural Washington state and expands upon Barron's personal regional mythos This novella tracks a 1930s expedition of diverse hunters seeking a beast of legend dangerous than any of them anticipate It's as powerful as any previous work by Barron who lately can be counted upon to contribute at least one rich and potent tale to each year's best In Livia Llewellyn's Omphalos a girl caught in terrible surroundings must fight complex factors keeping her in place  Llewellyn specializes in the dark raw edge and harrowing Her writing pulses with blood and seethes with emotion Her  Engines of Desire is among the best weirddark collections of recent years certainly one of the top debuts In John Langan's In Paris in the Mouth of Kronos two fallen former agents try to claw their way back to gainful employment They're hired to grab a Mr White who may be a very different order of being from what they expect Dark yet breezily entertaining merging the grittiness of noir and spy thriller intrigue with a Lovecraftian hint of ancient forces lurking beneath the everyday world's seeming normalcy Langan's a skilled writer whose work Datlow often features At times I've thought his work needed of an edge This has itThe Ballad of Ballard and Sandrine by Peter Straub is a tour de force of tender yet bitter codependent romance conveyed in a disorienting balance of straight realism and twisted surrealism In a series of encounters separated by wide gaps of time the title characters the much older Ballard is a mysterious fixer type employed by Sandrine's father journey down the River on boats with ever changing names The couple caught up in unfathomable events exhibit a muted curiosity about their circumstances At times they make experimental gestures seeking to understand the odd nature of the boat or its invisible crew What knowledge they gain always seems to be lost forgotten or clouded by the next interlude The effect is weirdly disorienting yet familiar Don't we all forget lessons we've learned ignore warning signs and often repeat our mistakes? The growing surreality of Ballard and Sandrine's circumstances finally unfolds at least partially Horrific and seemingly occult aspects are revealed yet mystery remains Straub may be the most cerebral of horror writers and this is one of  his best boldest works


  10. says:

    An interesting cacophony of short horror stories everywhere from the “I don’t understand” weird kind to the “I don’t want to go to sleep” terrifying kind Examples of some of the stories that stood out to me are The Moraine by Simon Bestwick two hikers confront a fatal mist The Show by Priya Sharma a television medium who realizes her skills are not what she thought they were Final Girl Theory by AC Wise a fan who meets a starlet from a notorious horror B film that makes you rethink what really happens in those films Omphalos by Livia Llewellyn a family with disturbing secrets goes camping Dermot by Simon Bestwick the odd little man who helps the Special Needs Police Unit and Final Verse by Chet Williamson a singersongwriter who finds out the frightening final verses of an old mysterious songOf course there are several stories in the book that I haven’t mentioned that may be appealing to others but no matter which you prefer I recommend you not read the book at night while you are alone The stories are certain to stay with you for a long timeThank you to Night Shade Books and NetGalley for giving me this opportunity to review this book


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